Leticia Luevanos
Through August 6, 2017

Leticia Luevanos (American, b. 1976)
Primavera, 2017
Ceramic wall relief
Courtesy of the artist

LabEPMA provides emerging regional artists an opportunity to exhibit one work of art in any media accompanied by a 30-minute discussion of their work. There are four exhibits per year, and the work is exhibited for a three-month period. This special program is tailored to highlight the work of area artists, promote creative production, and provide a platform for contemporary discussion. 

Leticia Luevanos has for many years explored abstraction, pattern, and the use of color in her artwork. After earning her Master of Fine Arts degree in painting in 2010 from Rutgers University, Luevanos began to reference her Mexican heritage through her abstract paintings. In 2015 Luevanos’s artwork changed significantly when she received an Artist Incubator Grant from the City of El Paso’s Museums and Cultural Affairs Department. Luevanos’s grant allowed her to expand her practice to the third dimension in the form of colored clay mosaics. Mandala-like in form, Luevanos’s LabEPMA ceramic wall relief continues her Undulating Rhythms series, which experiments with scale, evokes multiple botanic and other living forms, and pushes further into sculptural space than her previous ceramics.

Artists interested in being featured in LabEPMA click here to see application instructions.
Abel Saucedo
August 10 – December 10, 2017
(with public presentation by the artist October 26, 2017 at 5:30 PM)

Abel Saucedo is an El Paso artist born in 1984. In 2009 he garnered international media attention when he exhibited a controversial series of piñatas depicting decapitated, cartoonish heads with gunshot wounds, referencing the on-going drug-related violence in Ciudad Juárez.  Tunnel Runner, a new work created for LabEPMA by El Paso artist Abel Saucedo, comments on the contemporary politics of border control in an age when millions of refugees attempt to migrate for survival and a better life. Saucedo’s mixed-media assemblage utilizes actual shoe store display racks combined with the collected footwear of immigrants who have crossed into the United States through the Mexican border. Saucedo depicts everyday situations to speak out about social, cultural, and political issues surrounding the binational border experience.